2020/21 | Direct Print on 5mm Forex with handcolored Typecut | Installation Size: Variable | Size of single picture: 50cm x 50cm | Edition: 3 + 2AP
The image series “VIRALE KRIEGSMETAPHORIK” (Viral Metaphors of War) thematises the conspicuous spread of “battle images” in media reporting. While “the image” of the Corona virus, with its aesthetically perfect structures, became a global icon within a few weeks, the language pattern of the news reports was reminiscent of the genre of war reporting. In addition to nationalistically coloured front positions and the heroisation of individual male protagonists, battle scenarios with militaristic terms defined the interaction relationship between the images of the virus and journalistic information texts.
In favour of accelerated communication and the immediate accessibility of scientific concepts, a standardisation of these “collective symbols” is probably inevitable. Especially in times of a global pandemic. What can hardly be taken into account in this context, however, is the complexity constituted by these forms of re-addressing or commenting on these images. Nevertheless, it would be wrong to claim that we are merely dealing with simple illustrations for laypersons in these popular science representations. Rather, an interaction between scientific and political discourses takes place here, which in turn can be formative for the perception of an entire generation and determine the thoughts and actions of an entire generation.
The original images that were used for the series «VIRALE KRIEGSMETAPHORIK» are edited cryo-scanning electron microscope images of SARS-CoV-2 virus particles from the NIAID-RML (National Institute of Allergies and Infectious Diseases-Rocky Mountain Laboratories).
In this series of images, the militaristic terms most commonly used in the media form a parasitic message that first activates the idea or concept of what should be recognisable in this image. Although the terms could be virtually the only meaning-giving element of the picture, they stand somewhat disparately in the pictorial space. This effect is reinforced by the bright colours on the black and white background of the picture in a coarse half-tone grid.
This work was one of 39 selected works out of 683 entries from the Visarte Switzerland Corona Call Competition.